{"id":3,"date":"2020-04-21T13:10:42","date_gmt":"2020-04-21T11:10:42","guid":{"rendered":"http:\/\/dev.theater-akademie-stuttgart.de\/kompagnie\/?page_id=3"},"modified":"2024-05-12T10:05:04","modified_gmt":"2024-05-12T08:05:04","slug":"home","status":"publish","type":"page","link":"https:\/\/theater-kompagnie-stuttgart.de\/home\/","title":{"rendered":"Home"},"content":{"rendered":"

[et_pb_section fb_built=“1″ fullwidth=“on“ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_fullwidth_slider use_bg_overlay=“off“ _builder_version=“5.0.2″ header_font_size=“60px“ custom_button=“on“ button_text_size=“14px“ button_text_color=“#ffffff“ button_bg_color=“rgba(0,0,0,0)“ button_border_width=“1.3px“ button_border_color=“#828282″ button_border_radius=“0px“ button_font=“|600||on|||||“ button_icon=“%%3%%“ button_custom_padding=“22px|40px|22px|40px|true|true“ text_orientation=“left“ custom_padding=“33.5%||18.4%||false|false“ custom_padding_tablet=““ custom_padding_phone=“200px||150px||false|false“ custom_padding_last_edited=“on|phone“ auto=“on“ auto_speed=“5000″ header_font_size_tablet=““ header_font_size_phone=“34px“ header_font_size_last_edited=“on|phone“ custom_css_slide_arrows=“rgba(0,0,0,0.68)“ global_colors_info=“{}“][et_pb_slide heading=“Ensemble“ button_text=“Mehr“ button_link=“\/home\/ensemble\/“ _builder_version=“5.0.2″ background_color=“rgba(0,0,0,0.59)“ background_enable_color=“on“ background_image=“https:\/\/theater-kompagnie-stuttgart.de\/home\/wp-content\/uploads\/sites\/3\/2020\/04\/Jedermann5.jpg“ background_enable_image=“on“ background_blend=“overlay“ global_colors_info=“{}“ sticky_transition=“on“][\/et_pb_slide][et_pb_slide heading=“Repertoire “ button_text=“Mehr“ button_link=“\/home\/repertoire\/“ _builder_version=“5.0.2″ background_color=“rgba(0,0,0,0.59)“ background_enable_color=“on“ background_image=“https:\/\/theater-kompagnie-stuttgart.de\/home\/wp-content\/uploads\/sites\/3\/2020\/04\/photo_2016-05-01_14-12-15.jpg“ background_enable_image=“on“ background_blend=“overlay“ global_colors_info=“{}“ sticky_transition=“on“][\/et_pb_slide][et_pb_slide heading=“Begleitprogramm“ button_text=“Mehr“ button_link=“\/home\/begleitprogramm\/“ _builder_version=“5.0.2″ header_level=“h2″ background_color=“rgba(0,0,0,0.59)“ background_enable_color=“on“ background_image=“https:\/\/theater-kompagnie-stuttgart.de\/home\/wp-content\/uploads\/sites\/3\/2020\/04\/photo_2018-11-22_23-04-02.jpg“ background_enable_image=“on“ background_blend=“overlay“ header_font_size_tablet=““ header_font_size_phone=“31px“ header_font_size_last_edited=“on|phone“ global_colors_info=“{}“ sticky_transition=“on“][\/et_pb_slide][\/et_pb_fullwidth_slider][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“4.14.9″ custom_margin=“0px||0px||true|false“ custom_padding=“0px||0px||true|false“ global_module=“243″ saved_tabs=“all“ locked=“off“ global_colors_info=“{}“][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“5.0.2″ custom_padding=“80px||80px||true|“ global_colors_info=“{}“][et_pb_row column_structure=“3_5,2_5″ _builder_version=“5.0.2″ custom_padding=“12px|||||“ global_colors_info=“{}“][et_pb_column type=“3_5″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“5.0.2″ text_font=“Times New Roman|700|||||||“ text_font_size=“18px“ header_font=“||||||||“ header_font_size=“40px“ header_2_font=“||||||||“ header_2_font_size=“40px“ header_font_size_tablet=““ header_font_size_phone=“31px“ header_font_size_last_edited=“on|phone“ header_2_font_size_tablet=““ header_2_font_size_phone=“35px“ header_2_font_size_last_edited=“on|phone“ global_colors_info=“{}“]<\/p>\n

20 Jahre Theaterkompagnie Stuttgart<\/h1>\n

„Die Zeit ist aus den Fugen“: Hamlet in der Max-Reger-Halle<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=“5.0.2″ text_font_size=“15px“ custom_margin=“||||false|false“ global_colors_info=“{}“]Maria Oberleitner<\/p>\n

Nebel wabert \u00fcber die B\u00fchne. Stimmung: grau in grau. „In memoriam Hamlet“ steht in gro\u00dfen Leuchtbuchstaben an der grauen Mauer von Helsing\u00f6r. Hier, im d\u00e4nischen Schloss, st\u00fcrmen Wachen in dunklen Trenchcoats und mit Maschinengewehren bewaffnet \u00fcber die B\u00fchne – schnell wird klar: Diese Inszenierung des Familiendramas ist besonders. Modern. Spannend.<\/p>\n

In Trauer um seinen k\u00fcrzlich gestorbenen Vater, den K\u00f6nig D\u00e4nemarks, jagt der junge Prinz Hamlet (grandios: Paul Elter) dessen Geist nach und schnell beginnt Hamlet zu brennen vor Zweifel, Wut und Rache. Rache an seinem Onkel, der den K\u00f6nig, seinen Vater, vergiftete. Die Rachsucht beginnt ihn zu zerfressen – und sein Wahnsinn treibt schlie\u00dflich nicht nur die Familie des K\u00f6nigs in den Tod – sondern auch die Familie des Ministers Polonius (Bernd K\u00f6hler).<\/p>\n

Letzterer sitzt in der Inszenierung von Cornelia und Christian Schl\u00f6sser \u00fcbrigens im Rollstuhl – was hier und da f\u00fcr eine Slapstick-Einlage herhalten muss. Ohne viel Requisiten kommt die Produktion unter Regisseur Christian Schl\u00f6sser aus, ein paar St\u00fchle und graue Betonkl\u00f6tze, ein wenig Nebel – fertig ist das triste Helsing\u00f6r.[\/et_pb_text][et_pb_text _builder_version=“5.0.2″ text_font=“Times New Roman|700|||||||“ text_font_size=“18px“ header_font=“Lato-Light||||||||“ header_2_font=“||||||||“ header_2_font_size=“40px“ custom_margin=“||12px|||“ global_colors_info=“{}“]<\/p>\n

Ein Krieg gegen sich selbst<\/h3>\n

[\/et_pb_text][et_pb_text _builder_version=“5.0.2″ text_font_size=“15px“ custom_margin=“||||false|false“ global_colors_info=“{}“]Ins Gesicht hat sich Hamlet Schokolade geschmiert wie Kriegsbemalung, auf seinem Shirt steht in gro\u00dfen Lettern „Fuck you“. „Die Zeit ist aus den Fugen, Horatio“, ruft er und gibt seinem Studienfreund dabei einen Klaps auf den Hintern. Es ist sein eigener Krieg, den der jugendliche Rebell Hamlet auch gegen sich selbst ausfechten muss. Paul Elter spielt den d\u00e4nischen Prinzen zerfasert, eindringlich rebellisch, zerrissen und wunderbar dynamisch. Lukas Kientzler gibt den neuen K\u00f6nig so herrlich b\u00f6se, skrupellos und intrigant, dass man als Zuschauer diebische Freude daran hat.[\/et_pb_text][et_pb_text _builder_version=“5.0.2″ text_font=“Times New Roman|700|||||||“ text_font_size=“18px“ header_font=“Lato-Light||||||||“ header_2_font=“||||||||“ header_2_font_size=“40px“ custom_margin=“||12px|||“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Tanz im Herbstlaub<\/h3>\n

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Die Zeit scheint wahrlich zu entgleisen. Hamlets Mutter wird getrieben von Selbstzweifeln, der Onkel verf\u00e4llt dem Alkohol. Und Hamlets geliebte Ophelia schlie\u00dflich treibt die wirre Zeit in den Selbstmord. Bekleidet mit einem Leichenhemd, das an ein Hochzeitskleid erinnert, tr\u00e4gt sie einen gro\u00dfen Sack Herbstlaub auf die B\u00fchne, tanzt ihren letzten Tanz und gr\u00e4bt sich im Laub ihr eigenes Grab.<\/p>\n

W\u00fcrde man das Ende nicht kennen, man m\u00fcsste als Zuschauer glatt den Atem anhalten, so spektakul\u00e4r endet die Vorstellung mit einem Degenkampf zwischen Hamlet und Laertes (Manuel Nehr), der es in sich hat – und am Schluss zwei Familien ausl\u00f6scht: „Der Rest – ist Schweigen.“<\/p>\n

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„Das Leben ist ein wandelnder Schatten nur;
Ein armer Spieler, der auf der B\u00fchn‘ ein St\u00fcndchen prahlt und tobt
und dann nicht mehr geh\u00f6rt wird,
`s ist ein M\u00e4rchen, erz\u00e4hlt von einem Narrn,
voll von Klang und Wut\u2026“<\/h4>\n

„Macbeth“ von William Shakespeare<\/em><\/p>\n

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Repertoire<\/h2>\n

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global_module=“238″ saved_tabs=“all“ global_colors_info=“{}“][et_pb_row column_structure=“1_2,1_6,1_6,1_6″ _builder_version=“5.0.2″ custom_margin=“5px||||false|false“ custom_margin_tablet=““ custom_margin_phone=“15px||||false|false“ custom_margin_last_edited=“on|phone“ custom_padding=“20px||33px|||“ global_colors_info=“{}“][et_pb_column type=“1_2″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ header_font=“||||||||“ header_2_font=“||||||||“ header_2_text_color=“#000000″ header_2_font_size=“40px“ background_layout=“dark“ custom_margin=“5px||||false|false“ custom_margin_tablet=““ custom_margin_phone=“||||false|false“ custom_margin_last_edited=“on|phone“ header_2_font_size_tablet=““ header_2_font_size_phone=“34px“ header_2_font_size_last_edited=“on|phone“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Theaterakademie Stuttgart<\/h2>\n

[\/et_pb_text][et_pb_button button_url=“https:\/\/theater-akademie-stuttgart.de\/“ button_text=“ZUR THEATERAKADEMIE SEITE“ button_alignment=“left“ _builder_version=“4.16″ custom_button=“on“ button_text_size=“14px“ button_text_color=“#ffffff“ button_bg_color=“#851813″ button_border_width=“23px“ button_border_color=“#851813″ button_border_radius=“0px“ button_font=“|||on|||||“ button_icon=“%%3%%“ custom_padding=“|0px||0px|false|false“ custom_css_main_element=“width:300px“ locked=“off“ global_colors_info=“{}“][\/et_pb_button][\/et_pb_column][et_pb_column type=“1_6″ _builder_version=“5.0.2″ global_colors_info=“{}“][\/et_pb_column][et_pb_column type=“1_6″ _builder_version=“5.0.2″ global_colors_info=“{}“][\/et_pb_column][et_pb_column type=“1_6″ _builder_version=“5.0.2″ global_colors_info=“{}“][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=“1″ _builder_version=“5.0.2″ global_module=“239″ saved_tabs=“all“ global_colors_info=“{}“][et_pb_row column_structure=“1_4,1_4,1_4,1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ header_6_text_color=“#851813″ global_colors_info=“{}“]<\/p>\n

Theaterkompagnie Stuttgart e.V.<\/h6>\n

[\/et_pb_text][et_pb_text _builder_version=“4.16″ global_colors_info=“{}“]<\/p>\n

Direktion<\/strong>
Christian Schl\u00f6sser<\/p>\n

B\u00fcro-Adresse<\/strong>
Urachstr.29
70190 Stuttgart
Deutschland<\/p>\n

Adresse Trainingsr\u00e4ume<\/strong>
Fuchseckstr.7
70188 Stuttgart
Deutschland<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ link_text_color=“#851813″ header_6_text_color=“#851813″ locked=“off“ global_colors_info=“{}“]<\/p>\n

Repertoire<\/h6>\n

[\/et_pb_text][et_pb_text _builder_version=“4.16″ text_line_height=“1.9em“ link_font=“|700|||||||“ link_text_color=“rgba(0,0,0,0.57)“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Hamlet<\/a>
Jedermann<\/a>
Troerinnen<\/a>
Lysistrate<\/a>
Mitt\u00adsommer\u00adnachts\u00adtraum<\/a>
Was Ihr Wollt<\/a>
Antiken – Doppelprojekt<\/a>
Der Zerbrochne Krug<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ link_text_color=“#851813″ header_6_text_color=“#851813″ locked=“off“ global_colors_info=“{}“]<\/p>\n

Pressearchiv<\/a><\/h6>\n

[\/et_pb_text][et_pb_text _builder_version=“4.16″ text_line_height=“1.9em“ link_font=“|700|||||||“ link_text_color=“rgba(0,0,0,0.57)“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Hamlet<\/a>
Jedermann<\/a>
Troerinnen<\/a>
Lysistrate<\/a>
Mitt\u00adsommer\u00adnachts\u00adtraum<\/a>
Was Ihr Wollt<\/a>
Antikenprojekt<\/a>
Der Zerbrochne Krug<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ link_text_color=“#851813″ header_6_text_color=“#851813″ locked=“off“ global_colors_info=“{}“]<\/p>\n

Wir<\/h6>\n

[\/et_pb_text][et_pb_text _builder_version=“4.16″ text_line_height=“1.9em“ link_font=“|700|||||||“ link_text_color=“rgba(0,0,0,0.57)“ locked=“off“ global_colors_info=“{}“]<\/p>\n

Kontakt<\/a>
Impressum<\/a>
Datenschutz<\/a>
Sitemap<\/a><\/p>\n

[\/et_pb_text][et_pb_text _builder_version=“4.16″ text_line_height=“1.9em“ link_font=“|700|||||||“ link_text_color=“#851813″ locked=“off“ global_colors_info=“{}“]<\/p>\n

Theaterakademie Stuttgart<\/a><\/p>\n

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Telefon<\/h6>\n

+ 49 (0)711 – 26 73 74<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ link_text_color=“#851813″ header_6_text_color=“#851813″ locked=“off“ global_colors_info=“{}“]<\/p>\n

Fax<\/h6>\n

+ 49 (0)711 – 26 86 19 00<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=“1_4″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ link_text_color=“#851813″ header_6_text_color=“#851813″ link_option_url=“mailto: christian.schloesser@akademie-theater.de“ locked=“off“ global_colors_info=“{}“]<\/p>\n

christian.schloesser@akademie-theater.de<\/h6>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=“3_5,2_5″ _builder_version=“5.0.2″ custom_padding=“56px||16px|||“ global_colors_info=“{}“][et_pb_column type=“3_5″ _builder_version=“5.0.2″ global_colors_info=“{}“][et_pb_text _builder_version=“4.16″ header_6_font_size=“16px“ locked=“off“ global_colors_info=“{}“]<\/p>\n

\u00a9 2020 Theaterkompagnie Stuttgart<\/h6>\n

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Designed with \u2764 by NETZhelfer<\/a> | WERBEEINFACH<\/a><\/h6>\n

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+ 49 (0)711 – 26 73 74 <\/span><\/p>\n

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christian.schloesser@akademie-theater.de<\/p>\n

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Buchungen<\/span><\/p>\n

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20 Jahre Theaterkompagnie Stuttgart „Die Zeit ist aus den Fugen“: Hamlet in der Max-Reger-HalleMaria Oberleitner Nebel wabert \u00fcber die B\u00fchne. Stimmung: grau in grau. „In memoriam Hamlet“ steht in gro\u00dfen Leuchtbuchstaben an der grauen Mauer von Helsing\u00f6r. Hier, im d\u00e4nischen Schloss, st\u00fcrmen Wachen in dunklen Trenchcoats und mit Maschinengewehren bewaffnet \u00fcber die B\u00fchne – schnell […]<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-3","page","type-page","status-publish","hentry"],"yoast_head":"\nTheaterkompagnie Stuttgart - Tourneetheater in Baden-W\u00fcrttemberg<\/title>\n<meta name=\"description\" content=\"Ensemble der Theaterakademie Stuttgart. Tourneetheater in Baden-W\u00fcrttemberg, Schwerpunkt: William Shakespeare. 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